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Younger Than Springtime

by Michael Riddell

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When I take you out tonight with me, Honey, here's the way it's goin' to be; You will set behind a team of snow-white horses In the slickest gig ya ever see! Chicks and ducks and geese better scurry When I take you out in the surrey, When I take you out in the surrey with the fringe on top! Watch that fringe an' see how it flutters When I drive them high-steppin' strutters Nosey-folks'll peek through their shutters and their eyes will pop! The wheels are yeller, the upholstery's brown The dashboard's genuine leather With isinglass curtains you can roll right down In case there's a change in the weather Two bright side-lights, winkin' and blinkin' Ain't no finer rig, I'm a thinkin'! You can keep yer rig if you're thinkin' that I'd care to swap For that shiny little surrey with the fringe on the top! [Instrumental Break] The sun is sittin' on the rim of a hill, The moon is takin' a header, And just as I'm thinkin' all the earth is still, A lark'll wake up in the medder... Hush! you bird, my baby's a sleepin' Maybe got a dream worth a keepin' Whoa, you team, an' just keep a creepin' at a slow clip clop Don't you hurry with that surrey with the fringe on the top
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[Verse] The things I used to like I don't like anymore, I want a lot of other things I've never had before. It's just like mother says, I sit around and mope, Pretending I am wonderful, And knowing I'm a dope! [Refrain] I'm as restless as a willow in a windstorm, I'm as jumpy as a puppet on a string. I'd say that i had spring fever, But I know it isn't spring. I am starry eyed and vaguely discontented, Like a nightingale without a song to sing. Oh, Why should I have spring fever When it isn't even spring? I keep wishing I were somewhere else, Walking down a strange new street, Hearing words that I have never heard From a man I've yet to meet. I'm as busy as a spider spinning daydreams, I'm as giddy as a baby on a swing, I haven't seen a crocus or a rosebud Or a robin on the wing. But I feel so gay, In a melancholy way, That it might as well be spring... It might as well be spring.
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Take me beyond the pearly gates Through a beautiful marble hall, Take me before the highest throne And let me be judged by the highest Judge of all! Let the Lord shout and yell, And His eyes flash flame, I promise not to quiver when He calls my name, Let Him send me to hell, But before I go, I feel that I'm entitled to a hell of a show! Want pink-faced angels on a purple cloud, Twangin' on their harps till their fingers get red, Want organ music - let it roll out loud, Rollin' like a wave, washin' over my head! Want ev'ry star in heaven Hangin' in the room, Shinin' in my eyes When I hear my doom! Reckon my sins are good big sins, And the punishment won't be small; So take me before the highest throne And let me be judged by the highest Judge of all.
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You're just too marvellous Too marvellous for words Like glorious, glamorous And that old standby, amorous. It's all too wonderful I'll never find the words That say enough, tell enough I mean, they're just not swell enough You're much too much And just too very, very To ever be in Webster's Dictionary And so I'm borrowing A love song from the birds To tell you that you're marvellous Just too marvellous for words [Instrumental Break] The sweetest words In Keats and Shelley's lyrics Aren't sweet enough to be your panegyrics! And so I'm borrowing A love song from the birds To tell you that you're marvellous Just too marvellous for words
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[Verse: Male] Babe, we are well met As in a spell met I lift my helmet Sandy, You're just dandy For just this here lad You're such a fistful My eyes are mist-ful Are you too wistful to care Do say you care to say "Come near lad." You are so graceful Have you wings? You have a face full of nice things You have no speaking voice, dear With ev'ry word it sings: [Refrain: Male] Thou swell! Thou witty! Thou sweet! Thou grand! Wouldst kiss me pretty? Wouldst hold my hand? Both thine eyes are cute too What they do to me Hear me holler I choose a sweet lollapaloosa in thee I'd feel so rich in a hut for two Two rooms and kitchen I'm sure would do Give me just a plot of Not a lot of land And Thou Swell! Thou Witty! Thou Grand! [Verse: Female] Thy words are queer, Sir Unto mine ear, Sir Yet thou art a dear, Sir, to me Thou could'st woo me Now could'st though try, knight I'd murmur "Swell", too And like it well too More thou wilt tell to Sandy Thou art dandy Now art though my knight Thine arms are martial Thou hast grace My cheek is partial to thy face And if thy lips grow weary Mine are their resting place [Refrain: Female] Thou swell! Thou witty! Thou sweet! Thou grand! Wouldst kiss me pretty? Wouldst hold my hand? Both thine eyes are cute too What they do to me Hear me holler I choose a sweet lollapaloosa in thee I'd feel so rich in a hut for two Two rooms and kitchen I'm sure would do Give me just a plot of Not a lot of land And Thou Swell! Thou Witty! Thou Grand!
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[Refrain: Female] It's got to be love, It couldn't be tonsillitis. It feels like neuritis, but nevertheless it's love. Don't tell me the pickles And pie a-la-mode they served me, Unnerved me, And made my heart a broken-down pump! It's got to be love, It isn't the morning after, That makes ev'ry rafter Go spinnin' around above. I'm sure that it's fatal, Oh, why do I get that sinking feeling! I think that I'm dead, But nevertheless it's only love! [Refrain: Male] It's got to be love It could have been fallen arches, Or too many starches, But nevertheless it's love. Don't tell me the lamp in The barbershop gave me sun stroke, With one stroke, You made me feel like yesterday's hash! It's got to be love -- It could've been indigestion, Beyond any question I'm fluttery as a dove. I've heard people say it's no worse than a cold But, oh, that fever! I'm burned to a crisp, But nevertheless it's only love
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Say, it's only a paper moon, Sailing over a cardboard sea. But it wouldn't be make-believe If you believed in me Yes, its only a canvas sky, Hanging over a muslin tree. But it wouldn't be make-believe If you believed in me. Without your love It's a honky tonk parade Without your love It's a melody played in a penny arcade It's a Barnum and Bailey world, Just as phony as it can be But it wouldn't be make-believe If you believed in me. [Instrumental Break] Without your love It's a honky tonk parade Without your love It's a melody played in a penny arcade It's a Barnum and Bailey world, Just as phony as it can be But it wouldn't be make-believe If you believed in me.
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[Verse] You wait little girl on an empty stage For fate to turn the light on Your life little girl is an empty page That men will want to write on ...to write on... [Refrain: Male] You are sixteen going on seventeen Baby, it's time to think Better beware be canny and careful Baby, you're on the brink You are sixteen going on seventeen Fellas will fall in line Eager young lads and roués and cads Will offer you food and wine Totally unprepared are you To face a world of men Timid and shy and scared are you Of things beyond your ken You need someone older and wiser Telling you what to do I am seventeen going on eighteen I'll take care of you [Refrain: Female] I am sixteen going on seventeen I know that I'm naive Fellows I meet may tell me I'm sweet And willingly I believe I am sixteen going on seventeen Innocent as a rose Bachelor dandies, drinkers of brandies What do I know of those? Totally unprepared am I To face a world of men Timid and shy and scared am I Of things beyond my ken I need someone older and wiser Telling me what to do You are seventeen going on eighteen I'll depend on you
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[Verse] I touch your hand And my arms grow strong Like a pair of birds That burst with song My eyes look down At your lovely face And I hold the world In my embrace [Refrain] Younger than springtime, are you Softer than starlight, are you Warmer than winds of June Are the gentle lips you gave me Gayer than laughter, are you Sweeter than music, are you Angel and lover, heaven and earth Are you to me And when your youth And joy invade my arms And fill my heart as now they do, then Younger than springtime, am I Gayer than laughter, am I Angel and lover, heaven and earth Am I with you!
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[Verse] So much more than we ever knew So much more were you born to do If I draw back the curtain, This I am certain, You'll be impressed with you [Refrain] On a clear day Rise and look around you And you'll see who you are On a clear day How it will astound you When the glow of your being outshines every star You feel part of ev'ry mountain Sea and shore You can hear from far and near A world you've never heard before And on that clear day, On that clear day You can see forever And ever, and ever more [Instrumental Break] You feel part of ev'ry mountain Sea and shore You can hear from far and near A world you've never heard before And on that clear day, On that clear day You can see forever And ever, and ever more

about

An album of songs from the Great American Songbook (mostly) arranged for guitar and voice.

I think that there is a general association between the concept of The Great American Songbook and the lush swing-band arrangements of the late-1940’s and 1950’s; while many of the songs in this CD have been recorded in that way, our goal is to present them in a different light.

A solo guitar is capable of producing many extremes in mood and sound, but one of the things that seems to remain constant through all its myriad effects is a feeling of intimacy, and that (hopefully) is the effect that this group of songs has been able to capture.

The tunes that make up the Great American Songbook come from many places: Film, Pop, Broadway and Tin Pan Alley have all contributed many worthy standards, but this CD mostly focuses on songs that originate from the Broadway tradition. This is because I think these songs have a lot to offer a contemporary audience, yet are seldom performed outside the specialised world of musical theatre.

When we were recording the first session, I was intending to do a CD entirely with songs by Richard Rodgers, but as time went on a few other songs caught my ear so I included a few of those as well. Despite advances in instrument-making, an acoustic guitar (especially with nylon strings…) does not create a particularly big sound.

However, it is a sound that can be shaped in many ways, and in recording these songs we tried to conjure a mood that would reflect the dramatic situation of the musical they came from; Stephen has also placed the guitar and singers into different sonic spaces to amplify the sense of each song taking place in a new setting, and making it feel as if the entire album takes the listener on a journey.

Because most of these songs have been plucked from stories, the liner notes will give an indication of the plot of the musicals each song comes from and how they fit into that story, as well as interesting information that should help to create a fuller picture of the time and place in history that generated these songs.

I hope you enjoy listening to this CD!

Michael Riddell

credits

released November 21, 2018

Michael Riddell – Guitar, Voice
Barbara Graham – Voice (tracks 5, 8, 9 and 11)
Phillip Collins – Voice (tracks 6 and 12)
Stephen Riddell – Producer, Finger Snaps (track 1)

Recorded at Matrix Digital on December 9, 2017 and July 8, 2018 -- engineering by Blair MacDonald; Mastered at the Riddell Productions Studio by Stephen Riddell.

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about

Riddell Productions Wellington, New Zealand

Riddell Productions was founded in 2014 by Stephen & Amanda Riddell.

Stephen is a folk singer-songwriter and sound engineer who plays piano, guitar and harmonica.

Amanda is a virtuosa guitarist and composer who enjoys playing show music from the golden age of Broadway.
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